Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Togo and from New York.
But I was there.
I was there in 1984.
I was there at the first Arcadia show in London.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1968 to 1979.
I'm losing my edge.
To all the kids in Salvador and Sao Paulo.
I'm losing my edge to the art-school Bologna kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1977 at the first Zapp practice in a loft in Hamilton.
I was working on the marimba sounds with much patience.
I was there when Captain Beefheart started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Reagan Youth to the crunk kids.
I played it at the 40 Watt.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Stereo Dub. All the underground hits.
All Japan tracks. I heard you have a vinyl of every The Detroit Cobras record on German import.
I heard that you have a white label of every seminal disco hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '70s.
I hear you're buying a guitar and an organ and are throwing your macbook out the window because you want to make something real. You want to make a Wighnomy Brothers & Robag Wruhme record.
I hear that you and your band have sold your rhodes and bought a theremin.
I hear that you and your band have sold your theremin and bought a rhodes.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Slave,
The Star Department,
Suicide,
Buzzcocks,
Sun City Girls,
Yellowson,
The Jesus and Mary Chain,
The Saints,
The Real Kids,
Pagans,
Man Eating Sloth,
The Black Dice,
Sexual Harrassment,
Babytalk,
Oblivians,
Erykah Badu,
Traffic Nightmare,
The Pop Group,
Robert Wyatt,
Eyeless In Gaza,
Wire,
Pharoah Sanders,
David McCallum,
Wolf Eyes,
Sister Nancy,
the Normal,
Camberwell Now,
The Names,
Soft Cell,
Slick Rick,
Eli Mardock,
Sam Rivers,
Drive Like Jehu,
48th St. Collective,
Index,
Stockholm Monsters,
Can,
The Techniques,
June Days,
The Martian,
Sound Behaviour,
Little Man,
Whodini,
Fad Gadget,
The Mummies,
Crooked Eye,
Television Personalities,
Echospace,
Roger Hodgson,
Unrelated Segments,
Hot Snakes,
Parry Music,
Intrusion,
Agitation Free,
Iggy Pop,
Bang On A Can,
The Kinks,
Andrew Hill,
Eric Copeland,
The Cramps,
Davy DMX, Davy DMX, Davy DMX, Davy DMX.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.