Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Finland and from Jakarta.
But I was there.

I was there in 1971.
I was there at the first Neu! show in Düsseldorf.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1967 to 1972.
I'm losing my edge.

To all the kids in Manchester and Winnipeg.
I'm losing my edge to the art-school Portland kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1976 at the first Wire practice in a loft in Watford.
I was working on the organ sounds with much patience.
I was there when Tom Verlaine started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing 10cc to the techno kids.
I played it at Cafe Wha.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by The Royal Family And The Poor. All the underground hits.

All Neil Young tracks. I heard you have a vinyl of every Arthur Verocai record on German import.

I heard that you have a white label of every seminal jazz hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '80s.

I hear you're buying a theremin and a marimba and are throwing your macbook out the window because you want to make something real. You want to make a Agent Orange record.

I hear that you and your band have sold your oboe and bought a guitar.
I hear that you and your band have sold your guitar and bought an oboe.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Yusef Lateef, F. McDonald, Second Layer, Dennis Brown, Rakim, New Order, Television, The Sonics, Main Source, Moss Icon, The Names, Index, Royal Trux, Jacob Miller, Slave, Aaron Thompson, Ash Ra Tempel, John Foxx, The Victims, Bootsy's Rubber Band, Gil Scott Heron, The Standells, Matthew Bourne, The Electric Prunes, Von Mondo, Nick Cave & The Bad Seeds, Talk Talk, Terry Callier, Arthur Verocai, Larry & the Blue Notes, Aloha Tigers, Yellowson, The Busters, It's A Beautiful Day, Black Sheep, Fugazi, Outsiders, David McCallum, Chris & Cosey, Arcadia, Altered Images, Grandmaster Flash, Brothers Johnson, Johnny Clarke, PIL, Yazoo, Delta 5, Hoover, the Bar-Kays, Rufus Thomas, The Index, Little Man, Susan Cadogan, Eden Ahbez, Peter Gordon & Love of Life Orchestra, Cybotron, Eurythmics, Avey Tare's Slasher Flicks, Avey Tare's Slasher Flicks, Avey Tare's Slasher Flicks, Avey Tare's Slasher Flicks.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)