Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Malaysia and from Cairo.
But I was there.

I was there in 1968.
I was there at the first Can show in Cologne.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1964 to 1979.
I'm losing my edge.

To all the kids in Manchester and Winnipeg.
I'm losing my edge to the art-school London kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1967 at the first Rodriguez practice in a loft in Detroit.
I was working on the linndrum sounds with much patience.
I was there when Nile Rodgers started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Quando Quango to the crunk kids.
I played it at the Crocodile.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Lalo Schifrin. All the underground hits.

All Yaz tracks. I heard you have a vinyl of every Harry Pussy record on German import.

I heard that you have a white label of every seminal rap hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '70s.

I hear you're buying a güiro and an arpeggiator and are throwing your macbook out the window because you want to make something real. You want to make a Royal Trux record.

I hear that you and your band have sold your marimba and bought an organ.
I hear that you and your band have sold your organ and bought a marimba.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Monks, Gerry Rafferty, Sad Lovers and Giants, Marshall Jefferson, the Germs, Funky Four + One, The Busters, Justin Hinds & The Dominoes, The Royal Family And The Poor, Iggy Pop, Arab on Radar, 8 Eyed Spy, Camron Feat. Memphis Bleek And Beenie Seigel, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Kurtis Blow, Pulsallama, Pole, Jawbox, Scratch Acid, Amon Düül II, Sällskapet, Andrew Hill, Black Bananas, Tropical Tobacco, Judy Mowatt, Television Personalities, Mad Mike, The Blues Magoos, MDC, In Retrospect, The Evens, Television, Mary Jane Girls, UT, Excepter, New Age Steppers, Alice Coltrane, The New Christs, Bob Dylan, Rahsaan Roland Kirk, B.T. Express, Sunsets and Hearts, The Human League, The Mojo Men, Underground Resistance, Technova, Hardrive, Main Source, Public Enemy, The Doors, Quadrant, Bobby Womack, The Fugs, The Raincoats, De La Soul & Jungle Brothers, Fort Wilson Riot, Scientists, Boz Scaggs, The Gladiators, The Gladiators, The Gladiators, The Gladiators.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)