Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Canada and from Hong Kong.
But I was there.

I was there in 1965.
I was there at the first Beefheart show in Lancaster.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1969 to 1973.
I'm losing my edge.

To all the kids in Halifax and Spokane.
I'm losing my edge to the art-school Lyon kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1975 at the first Throbbing Gristle practice in a loft in London.
I was working on the synthesizer sounds with much patience.
I was there when Michael McDonald started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Moby Grape to the rock kids.
I played it at Cafe Wha.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Ponytail. All the underground hits.

All Maurizio tracks. I heard you have a vinyl of every Skarface record on German import.

I heard that you have a white label of every seminal grunge hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '70s.

I hear you're buying a marimba and a clarinet and are throwing your macbook out the window because you want to make something real. You want to make a Zapp record.

I hear that you and your band have sold your theremin and bought a rhodes.
I hear that you and your band have sold your rhodes and bought a theremin.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Liliput, Moebius, the Normal, Frankie Knuckles, R.M.O., Tubeway Army, Pierre Henry, Massinfluence, Chrome, Deadbeat, Lalann, the Swans, Throbbing Gristle, Sällskapet, Harmonia, Bluetip, Minor Threat, The Last Poets, This Heat, The Sound, The Human League, Sister Nancy, World's Most, B.T. Express, Albert Ayler, The Raincoats, Echo & the Bunnymen, Guru Guru, Robert Hood, Roy Ayers, Mo-Dettes, The Music Machine, Cameo, The Happenings, China Crisis, Dual Sessions, In Retrospect, Wire, T. Rex, Marc Romboy vs. Booka Shade, Ronnie Foster, Connie Case, Slick Rick, Alphaville, The Searchers, Ralphi Rosario, Matthew Halsall, Schoolly D, The Blues Magoos, Tears for Fears, Lungfish, Erykah Badu, Morten Harket, Marine Girls, The Velvet Underground, The Walker Brothers, Cecil Taylor, Masters at Work, a-ha, a-ha, a-ha, a-ha.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)