Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Equatorial Guinea and from Hong Kong.
But I was there.
I was there in 1984.
I was there at the first Arcadia show in London.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1963 to 1972.
I'm losing my edge.
To all the kids in Tehran and Houston.
I'm losing my edge to the art-school Glasgow kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1962 at the first Guess Who practice in a loft in Winnipeg.
I was working on the sitar sounds with much patience.
I was there when Michael McDonald started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Kings Of Tomorrow to the funk kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Archie Shepp. All the underground hits.
All Thompson Twins tracks. I heard you have a vinyl of every The Sound record on German import.
I heard that you have a white label of every seminal jazz hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '80s.
I hear you're buying a güiro and a theremin and are throwing your macbook out the window because you want to make something real. You want to make a Sällskapet record.
I hear that you and your band have sold your synthesizer and bought a spring reverb.
I hear that you and your band have sold your spring reverb and bought a synthesizer.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Lou Reed,
Alphaville,
Lightning Bolt,
The Smiths,
Lizzy Mercier Descloux,
Reuben Wilson,
Altered Images,
Arcadia,
Johnny Osbourne,
The Gladiators,
Camron Feat. Memphis Bleek And Beenie Seigel,
cv313,
Teenage Jesus and the Jerks,
The Raincoats,
Heavy D & The Boyz,
L. Decosne,
The Gories,
Scientists,
The Peanut Butter Conspiracy,
Nils Olav,
Byron Stingily,
DeepChord presents Echospace,
Peter & Gordon,
Barrington Levy,
Moss Icon,
Pantaleimon,
Gang Starr,
Marine Girls,
Brick,
Kauko Röyhkä ja Narttu,
Au Pairs,
Aswad,
Sonic Youth,
Joensuu 1685,
E-Dancer,
T.S.O.L.,
Kayak,
Gang Gang Dance,
Average White Band,
Gary Puckett & The Union Gap,
Warsaw,
Ronan,
Spoonie Gee,
Y Pants,
The Seeds,
The Misunderstood,
Crispy Ambulance,
Sound Behaviour,
The Alarm Clocks,
Drexciya,
The Residents,
Talk Talk,
Michelle Simonal,
Todd Terry,
Throbbing Gristle,
Nation of Ulysses,
John Holt,
Terror Squad Feat. Camron,
Drive Like Jehu,
the Sonics,
Super Lover Cee & Casanova Rud,
Quantec,
Connie Case, Connie Case, Connie Case, Connie Case.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.