Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Mauritania and from Toronto.
But I was there.
I was there in 1978.
I was there at the first Visage show in London.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1961 to 1972.
I'm losing my edge.
To all the kids in Taipei and Bologna.
I'm losing my edge to the art-school Manila kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1976 at the first Feelies practice in a loft in Haledon.
I was working on the chamberlin sounds with much patience.
I was there when David Bowie started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Tommy Roe to the rap kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Lou Christie. All the underground hits.
All Blossom Toes tracks. I heard you have a vinyl of every Roxy Music record on German import.
I heard that you have a white label of every seminal grime hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '90s.
I hear you're buying a rhodes and an oboe and are throwing your macbook out the window because you want to make something real. You want to make a The Monks record.
I hear that you and your band have sold your sitar and bought a guitar.
I hear that you and your band have sold your guitar and bought a sitar.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
The Slits,
The Gap Band,
Hoover,
The Cowsills,
The Fortunes,
The Offenders,
Franke,
Cymande,
Brick,
Lalann,
DJ Style,
Monks,
Royal Trux,
Tears for Fears,
Davy DMX,
Crooked Eye,
Ken Boothe,
Kenny Larkin,
Henry Cow,
New York Dolls,
Crime,
Scratch Acid,
Country Joe & The Fish,
Mad Mike,
Maurizio,
Delta 5,
Ash Ra Tempel,
Major Organ And The Adding Machine,
Easy Going,
Magma,
Curtis Mayfield,
The Names,
Marshall Jefferson,
X-102,
Rod Modell,
Anthony Braxton,
Colin Newman,
The Zeros,
Skarface,
Stockholm Monsters,
Rhythm & Sound,
Ultimate Spinach,
Ronan,
Y Pants,
Terrestrial Tones,
Model 500,
Moss Icon,
The Five Americans,
Avey Tare,
John Coltrane,
Main Source,
D'Angelo,
Jesper Dahlback,
David Axelrod,
Soulsonic Force,
Soft Cell,
Roy Ayers,
Sugar Minott,
The Motions,
Dave Gahan, Dave Gahan, Dave Gahan, Dave Gahan.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.