Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Belize and from Calgary.
But I was there.
I was there in 1976.
I was there at the first Chic show in New York.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1965 to 1974.
I'm losing my edge.
To all the kids in Houston and Manchester.
I'm losing my edge to the art-school Delhi kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1971 at the first Big Star practice in a loft in Memphis.
I was working on the 808 sounds with much patience.
I was there when Donald Fagen started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Althea and Donna to the disco kids.
I played it at Cafe Wha.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Yaz. All the underground hits.
All Lower 48 tracks. I heard you have a vinyl of every Lebanon Hanover record on German import.
I heard that you have a white label of every seminal punk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '80s.
I hear you're buying a linndrum and an oboe and are throwing your macbook out the window because you want to make something real. You want to make a Y Pants record.
I hear that you and your band have sold your chamberlin and bought a guitar.
I hear that you and your band have sold your guitar and bought a chamberlin.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Tomorrow,
Country Teasers,
Black Bananas,
The Men They Couldn't Hang,
Gong,
The Standells,
Bill Wells,
Heaven 17,
The Fire Engines,
In Retrospect,
Suburban Knight,
Marshall Jefferson,
Judy Mowatt,
Big Daddy Kane,
Spoonie Gee,
Rahsaan Roland Kirk,
Cluster,
Index,
Sticky Fingaz feat. Raekwon,
The Detroit Cobras,
Gil Scott-Heron & Brian Jackson,
L. Decosne,
Justin Hinds & The Dominoes,
The Smoke,
Sight & Sound,
Major Organ And The Adding Machine,
The Velvet Underground,
PIL,
Idris Muhammad,
Sun City Girls,
Hot Snakes,
Sällskapet,
Dawn Penn,
Connie Case,
Gang Gang Dance,
Sarah Menescal,
Silicon Teens,
A Flock of Seagulls,
D'Angelo,
Todd Rundgren,
The Last Poets,
Bad Manners,
Magma,
the Association,
The Shadows of Knight,
Eyeless In Gaza,
The Raincoats,
DeepChord presents Echospace,
The Mojo Men,
Scott Walker,
DJ Sneak,
Underground Resistance,
The Toasters,
Kevin Saunderson,
Buzzcocks,
Soft Cell,
Andrew Hill,
The Misunderstood,
Inner City,
Johnny Clarke,
Kauko Röyhkä ja Narttu, Kauko Röyhkä ja Narttu, Kauko Röyhkä ja Narttu, Kauko Röyhkä ja Narttu.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.