Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Palau and from Mexico City.
But I was there.

I was there in 1977.
I was there at the first Mistral show in Amsterdam.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1966 to 1970.
I'm losing my edge.

To all the kids in Madrid and Glasgow.
I'm losing my edge to the art-school Bologna kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1979 at the first Josef K practice in a loft in Edinburgh.
I was working on the 808 sounds with much patience.
I was there when David Bowie started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Skarface to the crunk kids.
I played it at the Crocodile.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by T. Rex. All the underground hits.

All Bobby Sherman tracks. I heard you have a vinyl of every Groovy Waters record on German import.

I heard that you have a white label of every seminal jazz hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '90s.

I hear you're buying an organ and a guitar and are throwing your macbook out the window because you want to make something real. You want to make a Khruangbin record.

I hear that you and your band have sold your arpeggiator and bought a guitar.
I hear that you and your band have sold your guitar and bought an arpeggiator.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Tres Demented, Amazonics, June of 44, Freddie Wadling, Camron Feat. Jay Z And Juelz, the Association, The Motions, AZ, Frankie Knuckles, Stetsasonic, UT, Whodini, Neil Young & Crazy Horse, Essential Logic, Aural Exciters, Nirvana, Barbara Tucker, Hoover, Chrome, K-Klass, Avey Tare, Lafayette Afro Rock Band, Chris & Cosey, Dark Day, Ralphi Rosario, Slick Rick, Barclay James Harvest, Dave Gahan, David McCallum, Sparks, Con Funk Shun, Bronski Beat, Fad Gadget, Schoolly D, Hasil Adkins, Jeru the Damaja, Terry Callier, The Blackbyrds, Traffic Nightmare, Vaughan Mason & Crew, DJ Sneak, Black Flag, Young Marble Giants, Letta Mbulu, Art Ensemble Of Chicago, Jimmy McGriff, Girls At Our Best!, Malaria!, The Red Krayola, Ituana, Sugar Minott, Duran Duran, LL Cool J, Smog, Cameo, Lucky Dragons, Electric Light Orchestra, Bill Near, D'Angelo, Althea and Donna, Can, Bootsy's Rubber Band, Underground Resistance, Lizzy Mercier Descloux, Camron Feat. Memphis Bleek And Beenie Seigel, Camron Feat. Memphis Bleek And Beenie Seigel, Camron Feat. Memphis Bleek And Beenie Seigel, Camron Feat. Memphis Bleek And Beenie Seigel.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)