Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Qatar and from Mumbai.
But I was there.

I was there in 1979.
I was there at the first Josef K show in Edinburgh.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1976.
I'm losing my edge.

To all the kids in Mumbai and New York.
I'm losing my edge to the art-school Lagos kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1971 at the first Selda practice in a loft in Istanbul.
I was working on the synthesizer sounds with much patience.
I was there when Lou Reed started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Heavy D & The Boyz to the dance kids.
I played it at the 40 Watt.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by The Divine Comedy. All the underground hits.

All Teenage Jesus and the Jerks tracks. I heard you have a vinyl of every Urselle record on German import.

I heard that you have a white label of every seminal jazz hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '90s.

I hear you're buying a clarinet and a 808 and are throwing your macbook out the window because you want to make something real. You want to make a Ituana record.

I hear that you and your band have sold your sitar and bought a clarinet.
I hear that you and your band have sold your clarinet and bought a sitar.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Chris Corsano, Television Personalities, Idris Muhammad, Rekid, Janne Schatter, John Holt, 10cc, Pagans, Curtis Mayfield, the Soft Cell, The Names, Camron Feat. Memphis Bleek And Beenie Seigel, Gil Scott-Heron and Jamie xx, Los Fastidios, Charles Mingus, Bluetip, Shuggie Otis, Q65, The Count Five, Justin Hinds & The Dominoes, Crime, Cheater Slicks, Simply Red, Underground Resistance, The Mummies, R.M.O., Althea and Donna, Infiniti, The Doobie Brothers, Nick Cave & The Bad Seeds, Liliput, Siouxsie and the Banshees, OOIOO, the Association, Neil Young, Nation of Ulysses, Max Romeo, Pere Ubu, Desert Stars, Swans, Chris & Cosey, Lungfish, The Invisible, Reuben Wilson, X-102, Albert Ayler, Rahsaan Roland Kirk, Captain Beefheart & His Magic Band, The Real Kids, Gregory Isaacs, Mad Mike, Deakin, JFA, June Days, Moebius, Johnny Osbourne, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Nico, Harry Pussy, Sound Behaviour, Sound Behaviour, Sound Behaviour, Sound Behaviour.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)