Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Spain and from Bremen.
But I was there.
I was there in 1975.
I was there at the first Ubu show in Cleveland.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1971.
I'm losing my edge.
To all the kids in Houston and Copenhagen.
I'm losing my edge to the art-school Copenhagen kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1976 at the first Buzzcocks practice in a loft in Bolton.
I was working on the 808 sounds with much patience.
I was there when Nile Rodgers started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Robert Hood to the techno kids.
I played it at Cafe Wha.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Unrelated Segments. All the underground hits.
All Avey Tare's Slasher Flicks tracks. I heard you have a vinyl of every Accadde A record on German import.
I heard that you have a white label of every seminal grime hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '90s.
I hear you're buying a guitar and a 808 and are throwing your macbook out the window because you want to make something real. You want to make a The Mighty Diamonds record.
I hear that you and your band have sold your spring reverb and bought a mellotron.
I hear that you and your band have sold your mellotron and bought a spring reverb.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Minny Pops,
Animal Collective,
Soul II Soul,
Notorious BIG live in Amsterdam,
Yellowson,
Liaisons Dangereuses,
The Men They Couldn't Hang,
Scan 7,
Barry Ungar,
Louis and Bebe Barron,
Loose Ends,
Gastr Del Sol,
DJ Sneak,
The Zeros,
Iggy Pop,
Thompson Twins,
Wighnomy Brothers & Robag Wruhme,
Deadbeat,
Index,
Thee Headcoats,
Zero Boys,
Television,
David Axelrod,
T. Rex,
KRS-One,
Gerry Rafferty,
Oneida,
Q and Not U,
Michelle Simonal,
Maleditus Sound,
Shuggie Otis,
Dennis Brown,
La Düsseldorf,
Excepter,
The Offenders,
Agent Orange,
Bauhaus,
The Gun Club,
Marmalade,
Howard Jones,
cv313,
Lungfish,
Slave,
Avey Tare & Kría Brekkan,
Jeff Lynne,
The Gories,
Ituana,
Cymande,
Amon Düül,
Vladislav Delay,
The Raincoats,
Minnie Riperton,
K-Klass,
Warren Ellis,
The Slackers,
The Smoke,
Marvin Gaye,
Harpers Bizarre,
Peter & Gordon, Peter & Gordon, Peter & Gordon, Peter & Gordon.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.