Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Ethiopia and from Accra.
But I was there.
I was there in 1978.
I was there at the first Visage show in London.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1963 to 1975.
I'm losing my edge.
To all the kids in Stockholm and Tokyo.
I'm losing my edge to the art-school Lagos kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1976 at the first Soft Boys practice in a loft in Cambridge.
I was working on the guitar sounds with much patience.
I was there when Captain Beefheart started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Röyhkä ja Rättö ja Lehtisalo to the techno kids.
I played it at the Astoria.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by The Moody Blues. All the underground hits.
All Aswad tracks. I heard you have a vinyl of every Motorama record on German import.
I heard that you have a white label of every seminal crunk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '70s.
I hear you're buying an arpeggiator and a synthesizer and are throwing your macbook out the window because you want to make something real. You want to make a The Walker Brothers record.
I hear that you and your band have sold your sitar and bought an organ.
I hear that you and your band have sold your organ and bought a sitar.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Thee Headcoats,
Fear,
Unrelated Segments,
Wire,
Vladislav Delay,
Matthew Bourne,
Black Sheep,
Crooked Eye,
the Germs,
Marcia Griffiths,
The Moody Blues,
Malaria!,
Symarip,
a-ha,
The Shadows of Knight,
Skaos,
Smog,
Unwound,
Ultimate Spinach,
Boredoms,
The Index,
Agent Orange,
Marine Girls,
Yaz,
Dave Gahan,
David Axelrod,
Tommy Roe,
Ituana,
Black Pus,
Negative Approach,
Sun City Girls,
The Busters,
Aloha Tigers,
Q and Not U,
Chrome,
Buzzcocks,
Ash Ra Tempel,
The Cosmic Jokers,
Mars,
Junior Murvin,
Pet Shop Boys,
Bizarre Inc.,
The Raincoats,
The Beau Brummels,
Kenny Larkin,
Country Teasers,
Black Flag,
This Heat,
Nico,
Derrick Morgan,
Harmonia,
UT,
Lalann,
Alison Limerick,
Nas,
Qualms,
Rhythm & Sound,
The New Christs,
Charles Mingus,
the Slits, the Slits, the Slits, the Slits.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.