Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Vietnam and from Columbus.
But I was there.

I was there in 1971.
I was there at the first Big Star show in Memphis.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1965 to 1971.
I'm losing my edge.

To all the kids in Jakarta and Seoul.
I'm losing my edge to the art-school Stockholm kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1976 at the first Chic practice in a loft in New York.
I was working on the guitar sounds with much patience.
I was there when David Bowie started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Oppenheimer Analysis to the crunk kids.
I played it at the Roxy.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Cybotron. All the underground hits.

All Marvin Gaye tracks. I heard you have a vinyl of every Joyce Sims record on German import.

I heard that you have a white label of every seminal disco hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '90s.

I hear you're buying a spring reverb and a snare and are throwing your macbook out the window because you want to make something real. You want to make a Lonnie Liston Smith record.

I hear that you and your band have sold your theremin and bought a linndrum.
I hear that you and your band have sold your linndrum and bought a theremin.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Girls At Our Best!, Malaria!, Youth Brigade, The Cowsills, Easy Going, Quando Quango, T.S.O.L., Godley & Creme, Brick, Magma, Robert Görl, Arcadia, Brothers Johnson, Adolescents, Judy Mowatt, Infiniti, The Doors, Bronski Beat, Schoolly D, Ultra Naté, Kaleidoscope, Unrelated Segments, Aswad, the Human League, Roxette, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, The Selecter, Fugazi, Darondo, The Walker Brothers, Sly & The Family Stone, Tubeway Army, Sound Behaviour, Bobby Womack, Bootsy's Rubber Band, Supertramp, Nik Kershaw, Chrome, The Monochrome Set, Minnie Riperton, Essential Logic, Joyce Sims, Laurel Aitken, Leonard Cohen, Piero Umiliani, Ludus, Pylon, World's Most, The Angels of Light, Eve St. Jones, Harpers Bizarre, Technova, Camron Feat. Memphis Bleek And Beenie Seigel, Rowland S Howard / Lydia Lunch, Visionaries,LMNO, T- Love & Iriscience, The Dirtbombs, Deutsch Amerikanische Freundschaft, The Move, Sun Ra, the Soft Cell, Junior Murvin, Mantronix, Lou Reed & Metallica, Lou Reed & Metallica, Lou Reed & Metallica, Lou Reed & Metallica.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)